This tenor from 1946 has its original lacquer and rolled tone holes. 

With a big sound, this is a late 1960"s Bel Air model [also known as "Artist" in Dolnet brochure]

Dolnet's Saxophones were used by Lester Young and Don Byas.

The Shadow is Keilwerth's newest addition to their lineup. Features a nickel silver body with anodized black nickel plating. Heavily engraved, and just plain old beautiful. This horn has proven to be rather difficult to acquire, but we do have access to one.

With its extra large bell and rolled tone-holes, there seems to be no doubt that Keilwerth based this great horn on the legendary Conn Chu -Berry of old, with the tremendous added advantage of a sprightly modern action and an extremely comfortable and accessible keyboard. Add a Hi F# to the mix, along with the anodized black nickel plated body as well as the universally recognized high quality of German workmanship and this horn is unquestionably a real contender. The continually growing number of loyal customers, and great players that show unabashed enthusiasm for this horn speaks volumes to its many virtues. 

A classic from 1947. This beauty features a double sleeve neck, original lacquer and a strong, solid sound that only vintage King tenors offer. As-is, this horn is in playing condition, with very old rivet pads. The original case is still with the horn. 

The sleeping giant of sound quality!  Manufactured in 1949.  Drop dead gorgeous (an easy 9 out of 10).  With original lacquer and a fresh pad job (domed/rivet metal resonators)  and no repairs due to damage.

Simply amazing! This tenor is, by far, the closest any manufacturer has come to recreating the legendary Mark VI. Range to high F. Model 2005G: Gold Plated

Click Here To Visit
The RS Berkeley Virtuoso Website 

Simply amazing! This tenor is, by far, the closest any manufacturer has come to recreating the legendary Mark VI. Range to high F. Model 2001M: The Matte finish features the look of an aged and vintage horn.

Without lacquer, the response is lively and the look develops the patina of a vintage sax.

Pristine Perma Gold Plated 1953 Rev. D with rolled tone holes that is completely original, including its pads, throughout.- We have not seen a nicer SML.

We will be offering this horn discounted, in as-is condition.

Manufactured in 1956 and in superior condition with it's original matching numbered neck. Almost all of the finish of the relacquer remains which has taken on a  vintage dark greenish hue; As we recall this lacquer color was common with horns that came through Canada. Good pads throughout with plastic resonators. With a medium dark timbre the sound quality is full and pretty. Adjusted and gig ready as-is. The original Chesterfield case is included.   For purchase or questions please give a call at 800-USA Horn (800 872 4676) or email USAHorn@USAHorn.com

The Series III Tenor has been acclaimed as the best modern sounding tenor that Selmer has produced. There is finally a viable alternative in the legendary line up, that is fresh and young and won't require a refinance on your house to acquire. Selmer Paris sound and action are universally acclaimed. They are the standard against which all other horns are measured, and this model has it all. This is not just a question of our opinion. Among top players and enthusiasts with a new vision, this baby is making serious inroads as the new classic. 

The Series III Tenor has been acclaimed as the best modern sounding tenor that Selmer has produced. The silver plating not only adds a timeless beauty to the instrument it also contributes to a livliness in response. There is finally a viable alternative in the legendary line up, that is fresh and young and won't require a refinance on your house to acquire. Selmer Paris sound and action are universally acclaimed. They are the standard against which all other horns are measured, and this model has it all. This is not just a question of our opinion. Among top players and enthusiasts with a new vision, this baby is making serious inroads as the new classic. 

Black IS Beautiful. This horn looks fantastic. Really stands out in an ensemble. In a word - elegance. In a few more words - a real attention grabber. Blackbird singing in the dead of night... 

The Z tenor with silver plating features a lively, brighter response. If you love the way a late Mark VI sounds, this is an affordable top-of-the-line alternative, in a modern horn. Also, when it comes to comfort in the hands and state of the art ergonomics, no one tops Yamaha.

Specifications: Intermediate Level - Neck Annealed, original 62 design - Neck Material, Body Material, Bell, Key Material, Yellow Brass - Polyester Key Buttons - Gold baked epoxy lacquer Finish - Front F; High F# Auxiliary Keys- Mouthpiece Yamaha 4C - Adjustable plastic Thumb Hook - Stamped Bell Design - Strap - Case This tenor maybe an intermediate class instrment but, it plays, looks and feels like a pro horn. 

Ribbed post construction. High F# key. Great tuning and rich sound make this an instrument of choice for professionals. Comes with a case, mouthpiece, and strap.

As good as Yamaha's latest, improved version of the lacquered Custom Z's are, an extra dimension of response comes into play with this rare and hard to get tenor. For years, players have been bringing their lacquered horns to our shop to have us strip the lacquer and hand polish them. Why? For years, players in the know have considered unlacquered horns to be more resonant. With the Unlacquered Custom Z, Yamaha has cut out the middle man and now allows the player to break in a brand new horn that is unlacquered. In time, the raw brass of this horn will develop a rich, dark patina. Yamaha's little brother to this horn, the YAS-82Z Unlacquered Alto, has already proven itself to be outstanding. Both of these horns, with their right-on intonation and sweet sonics, are sure to prove themselves to be classics.

Yamaha YTS-82Z Lacquer Tenor Saxophone

The Custom EX tenor is Yamaha's newest offering; a redesigned tenor with  personality. The  new Custom E1 neck is a handmade and facilitates a richness of sound with excellent projection.  Improved overall intonation provides the optimal playing balance with an evenness from top to bottom.

The new model TW01 (formally T-901) is the starting point of Yanagisawa's pro horn lineup. This basic professional model meets all of their high standards of craftsmanship, tuning, and response at an affordable price. This brand new horn comes with a case, mouthpiece, and strap.

Mechanically, this is the same horn as the Yanagisawa TW01. The meaningful difference is that this horn's body and neck are made entirely of bronze, not brass. This alloy, which Yanagisawa includes on their top-of-the-line instrument adds more depth and sonic resonance to this already superb instrument. The extra power that is felt from behind this solid bronze instrument gives the player a significant edge over his colleagues playing standard brass instruments. This horn shares the awesome sonic qualities of the TW020 but with a lesser price tag.

This highly respected model of the Yanagisawa line is causing a great deal of well deserved excitement. It combines a wonderfully responsive keyboard with a rich even smooth sound, with a fat bottom and smooth easy blowing top end. The bronze body and neck lead to a more complex and a slightly darker tone than it's all brass counterpart, the TW010. In terms of durability and soundness of construction there is perhaps no better saxophone available today. It is truly an elegant horn , not overly engineered but precisely and gracefully designed with no corners cut. Yanagisawa has produced a genuinely first class instrument.

A top of the line tenor with a solid silver stack and neck with underslung octave key. This model ranks with the best in the new horn category. With a depth to the sound (that would stand on its own) it is sprinkled with the sparkle, in the upper partials, that sterling silver adds. A unique quality and a vibe like no other can be captured. The TW030 replaces the T9930. (underslung neck not yet pictured).

This tenor from 1946 has its original lacquer and rolled tone holes. 

With a big sound, this is a late 1960"s Bel Air model [also known as "Artist" in Dolnet brochure]

Dolnet's Saxophones were used by Lester Young and Don Byas.

Manufactured in 1956 and in superior condition with it's original matching numbered neck. Almost all of the finish of the relacquer remains which has taken on a  vintage dark greenish hue; As we recall this lacquer color was common with horns that came through Canada. Good pads throughout with plastic resonators. With a medium dark timbre the sound quality is full and pretty. Adjusted and gig ready as-is. The original Chesterfield case is included.   For purchase or questions please give a call at 800-USA Horn (800 872 4676) or email USAHorn@USAHorn.com

Brand new and beautiful. Assembled in the USA. Tenor sax performers will love how smooth the action is with the left hand pinky plateau table. It's smooth, solid and fast for players looking for optimum response. Sleek double key arms coupled with solid stainless steel rods guarantee instant pad closure action. Its exceptional 6.26" graduated large bell design will carry every note to every listener in the room! 

The Series III Tenor has been acclaimed as the best modern sounding tenor that Selmer has produced. There is finally a viable alternative in the legendary line up, that is fresh and young and won't require a refinance on your house to acquire. Selmer Paris sound and action are universally acclaimed. They are the standard against which all other horns are measured, and this model has it all. This is not just a question of our opinion. Among top players and enthusiasts with a new vision, this baby is making serious inroads as the new classic. 

 The Series III Tenor has been universally acclaimed to be the best Tenor that Selmer has produced since it discontinued the legendary Mark VI in 1974. There is finally a viable alternative , to the legend, that is fresh and young , (not 25 to 45 years old) and won't force you to mortgage your house, to acquire . Selmer Paris sound and action are universally acclaimed. They are the standard against which all other horns are measured, and this model has it all. This is not just a question of our opinion. Among top players and enthusiasts this baby is making serious inroads into Mark VI territory.

A surprisingly beautiful, all Original Stencil Brand "Silvertone" made by Buescher.

Pristine Perma Gold Plated 1953 Rev. D with rolled tone holes that is completely original, including its pads, throughout.- We have not seen a nicer SML.

We will be offering this horn discounted, in as-is condition.

 A real beauty with silver plating that adds a bit of brightness to the sound. A tenor that encompasses everything you need or require to achieve your dreams as a professional player, serious student or aspiring artist. The Super 80 II is still the instrument of choice of many of today's top artists. The continued demand for this model, and the following this horn had gained , has not allowed Selmer to consider discontinuing its production or dropping it from its line, even two years after the successful introduction of the Series III and Reference horns. It embodies all of the features, quality and response that have made Selmer famous.

The Shadow is Keilwerth's newest addition to their lineup. Features a nickel silver body with anodized black nickel plating. Heavily engraved, and just plain old beautiful. This horn has proven to be rather difficult to acquire, but we do have access to one.

With its extra large bell and rolled tone-holes, there seems to be no doubt that Keilwerth based this great horn on the legendary Conn Chu -Berry of old, with the tremendous added advantage of a sprightly modern action and an extremely comfortable and accessible keyboard. Add a Hi F# to the mix, along with the anodized black nickel plated body as well as the universally recognized high quality of German workmanship and this horn is unquestionably a real contender. The continually growing number of loyal customers, and great players that show unabashed enthusiasm for this horn speaks volumes to its many virtues. 

The sleeping giant of sound quality!  Manufactured in 1949.  Drop dead gorgeous (an easy 9 out of 10).  With original lacquer and a fresh pad job (domed/rivet metal resonators)  and no repairs due to damage.

The new model TW01 (formally T-901) is the starting point of Yanagisawa's pro horn lineup. This basic professional model meets all of their high standards of craftsmanship, tuning, and response at an affordable price. This brand new horn comes with a case, mouthpiece, and strap.

The upgraded model 901 is now the TW01; the starting point of Yanagisawa's pro horn lineup. Meets all their high standards of craftsmenship, tuning, and response.. This brand new horn comes with a case, mouthpiece, and strap. Currently, Special finishes, including Silver plate, must be special ordered at the factory..

Mechanically, this is the same horn as the Yanagisawa TW01. The meaningful difference is that this horn's body and neck are made entirely of bronze, not brass. This alloy, which Yanagisawa includes on their top-of-the-line instrument adds more depth and sonic resonance to this already superb instrument. The extra power that is felt from behind this solid bronze instrument gives the player a significant edge over his colleagues playing standard brass instruments. This horn shares the awesome sonic qualities of the TW020 but with a lesser price tag.

This highly respected model of the Yanagisawa line is causing a great deal of well deserved excitement. It combines a wonderfully responsive keyboard with a rich even smooth sound, with a fat bottom and smooth easy blowing top end. The bronze body and neck lead to a more complex and a slightly darker tone than it's all brass counterpart, the TW010. In terms of durability and soundness of construction there is perhaps no better saxophone available today. It is truly an elegant horn , not overly engineered but precisely and gracefully designed with no corners cut. Yanagisawa has produced a genuinely first class instrument.

Solid! As in solid sterling silver neck, body and bell. I couldn't believe my eyes when I opened the case. This is more than just a sax, it's a work of art. This might be the most beautiful horn I've ever seen. Wonderfully engraved bell-lip, bell, bow and neck. Yanagisawa has outdone themselves... again. In addition to its breath taking beauty, this is a player's horn, no doubt about it. Destined to be a collectors item, but meant to be played. The TW037 replaces the T-9937

Simply amazing! This tenor is, by far, the closest any manufacturer has come to recreating the legendary Mark VI. Range to high F. Model 2004B: Black Nickel Plated with Silver Plated keys

Click Here To Visit
The RS Berkeley Virtuoso Website

Simply amazing! This tenor is, by far, the closest any manufacturer has come to recreating the legendary Mark VI. Range to high F. Model 2005G: Gold Plated

Click Here To Visit
The RS Berkeley Virtuoso Website 

Simply amazing! This tenor is, by far, the closest any manufacturer has come to recreating the legendary Mark VI. Range to high F. Model 2001M: The Matte finish features the look of an aged and vintage horn.

Simply amazing! This tenor is, by far, the closest any manufacturer has come to recreating the legendary Mark VI. Range to high F#. Model 2003S: Silver Plated.

Click Here To Visit
The RS Berkeley Virtuoso Website

The Z tenor with silver plating features a lively, brighter response. If you love the way a late Mark VI sounds, this is an affordable top-of-the-line alternative, in a modern horn. Also, when it comes to comfort in the hands and state of the art ergonomics, no one tops Yamaha.

Specifications: Intermediate Level - Neck Annealed, original 62 design - Neck Material, Body Material, Bell, Key Material, Yellow Brass - Polyester Key Buttons - Gold baked epoxy lacquer Finish - Front F; High F# Auxiliary Keys- Mouthpiece Yamaha 4C - Adjustable plastic Thumb Hook - Stamped Bell Design - Strap - Case This tenor maybe an intermediate class instrment but, it plays, looks and feels like a pro horn. 

Ribbed post construction. High F# key. Great tuning and rich sound make this an instrument of choice for professionals. Comes with a case, mouthpiece, and strap.

As good as Yamaha's latest, improved version of the lacquered Custom Z's are, an extra dimension of response comes into play with this rare and hard to get tenor. For years, players have been bringing their lacquered horns to our shop to have us strip the lacquer and hand polish them. Why? For years, players in the know have considered unlacquered horns to be more resonant. With the Unlacquered Custom Z, Yamaha has cut out the middle man and now allows the player to break in a brand new horn that is unlacquered. In time, the raw brass of this horn will develop a rich, dark patina. Yamaha's little brother to this horn, the YAS-82Z Unlacquered Alto, has already proven itself to be outstanding. Both of these horns, with their right-on intonation and sweet sonics, are sure to prove themselves to be classics.

Yamaha YTS-82Z Lacquer Tenor Saxophone

The Custom EX tenor is Yamaha's newest offering; a redesigned tenor with  personality. The  new Custom E1 neck is a handmade and facilitates a richness of sound with excellent projection.  Improved overall intonation provides the optimal playing balance with an evenness from top to bottom.